Reviewed: Antigone

Megan McCully reviews Mermaid’s ‘modern take on a Greek classic’, Antigone.

In 2018, “Greek tragedy” seems a tough sell – fortunately, the Mermaids’ production of the classic play Antigone, spearheaded by directors Greta Kelly and Lorna Govan, had its run just as deadline season hit, and I for one was in the mood for some healthy catharsis after my first all-nighter of the year.

For those unfamiliar, Antigone is one of the three “Oedipus plays” written by Sophocles about, yes, *that* Oedipus (if you’re none the wiser, I’m afraid I have to send you to Google). In this instalment, Oedipus’ daughter Antigone (Charlie Robertson) gives her fallen brother his funeral rites against the orders of Creon (George Watts), the ruler of Thebes (also her uncle). Unsurprisingly, he is not best pleased, and his harsh punishment leads to tragedy after tragedy.

This production was promoted as “a modern take on a Greek classic”, a phrase which can strike fear into any theatre aficionado’s heart. “Modern takes” can, of course, be wonderful, but they can also be very, very, bad. Having seen both versions, I was quite worried walking into this one.

Image: Antigone

However, there was no need to fret: apart from using modern costuming, the modernisation was wisely concentrated on the Greek chorus, which exists to swoop in, summarise and comment on the action. In a stroke of genius, this production envisaged them as journalists onstage, dressed in monochrome, clutching notebooks and pens. When shooting questions at Creon in his suave blue suit, ushered back by the guard, they needed but cameras and flashing lights to transport us to a political press conference. This was a bold, direct reference to increasing tensions between the media and political leaders, and an apparent defence of journalism as a means of interpreting current events and holding powerful people to account.

That is where the political parallels end. The political leader of Antigone is eloquent and shrewd, weaponizing words to justify his actions, which our chorus hurriedly scribble down. He strategizes, plots and puts his plans into immediate effect. This is a portrait of a dangerous but competent tyrant.

In terms of cultural relevance, the directors choice of Marianne McDonald’s 2000 translation promoted the feminist themes of the play, with Watts’ Creon seethingly spitting out lines like “As long as I’m alive, no woman will tell me what to do”, among others.

Unfortunately, despite Miss Robertson’s impressive and committed performance, Antigone did not seem the rebellious hero the script would have her be. Her initial scenes showed her as wilful, but her climactic confrontation with Creon revealed the difficulty of showing both intense emotion and strength. Her pain and fear were superbly portrayed, but a sense of quiet defiance and righteousness rather than perpetual explosive anger may have given us a more admirable heroine. Antigone is not a temperamental child – passionate, yes, but she is still a courageous woman, standing up to the most powerful man in the kingdom for what she believes is right. This aspect of her may have been more keenly explored.

Antigone in Rehearsal.

This wouldn’t have been such a problem if Antigone featured more in the play and had a more satisfying arc. My main problem with this play has always been that it could be more accurately titled “Creon”, since it is in fact principally about him. Mr Watts’ Creon was spiteful, controlling and by turns psychotic; it was powerfully played and gave the play great tension and colour. Creon’s character has not aged well in the 2,000-odd years since his inception. His determination to maintain order, probably a positive character trait in the eyes of Sophocles’ contemporary audience, is now seen negatively and has been often politicised in recent incarnations – Seamus Heaney draws a direct comparison between Creon and President George Bush with the inclusion of “either you are with us, or you are against us” in his translation – which may explain such a harsh portrayal in this production.

A special mention must go out to the entire supporting cast who all were fantastic in their own right and it’s a shame that they didn’t get more scenes (an unfortunate side-effect of playing in a Greek tragedy, as half of your time onstage is likely to be as a corpse). Additionally, the tech team got a time to shine in a well-choreographed sequence where the chorus members strode around the space thinking their ideas out loud, complemented by dramatic red lighting.

Such a classic play inevitably has many different interpretations to offer, and those familiar with it will never be fully satisfied with any production. With this and the month-long rehearsal time in mind, I was impressed by this production’s effort, particularly by the clever and relevant use of the chorus, an element of the play that could have been so easily neglected or cut out completely. Greater use of experimentation and workshopping in rehearsal may have led to more nuanced portrayals of the main characters, which would have allowed for a deeper exploration of the wealth of themes addressed. The actors certainly had the talent to do it: just perhaps not the time.

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  45. שרף מדריך: המדריכים המועיל לסחר פרחי קנאביס במקום המסר

    טלגראס הוראות הם אתר מידעים ומשלחי לסחר ב קנאביסין דרך היישומון הפופולרית מסר.

    הפורטל סופק את כל הקישורים הידיעתיים והמידעים העדכני לקבוצות וערוצים המומלצים מומלצים לביקור להשקיה פרחי קנאביס בהמשלוח במדינת ישראל.

    כמו כן, האתר הרשמי מציעה מדריכים מפורטים לכיצד להתארגן בהשרף ולהשיג שרף בקלות ובמהירות מירבית.

    בעזרת המדריך, אף המשתמשים חדשים יוכלו להמרחב השרף בטלגרם בצורה מאובטחת ומאובטחת לשימוש.

    ההרובוטים של טלגראס מאפשר למשתמשי הערוץ לבצע פעולות המבוצעות שונות כגון רכישת שרף, קבלת תמיכה תמיכה, בדיקת והוספת ביקורות על המצרים. כל זאת בפניות נוחה וקלה דרך היישומון.

    כאשר כשם הדבר בשיטות ה התשלום, טלגראס משתמשת באמצעים מוכרות מאוד כגון כספים מזומנים, כרטיסי כרטיסי אשראי וקריפטוֹמוֹנֵדָה. חיוני ללציין כי יש לבדוק ולוודא את ההנחיות והחוקות האזוריים בארץ שלך ללפני ביצוע רכישה.

    המסר מציע יתרונות מרכזיים כמו פרטיות וביטחון מוגברים, השיחה מהירה וגמישות גבוהה. בנוסף, הוא מאפשר כניסה לקהילה עולמית רחבה מאוד ומציע מגוון של תכונות ויכולות.

    בבתום, הטלגרמה מדריכים הוא המקום הטוב ללמצוא את כל המידע והקישורים הנדרשים לרכישת קנאביסין בפני מהירה, בבטוחה ונוחה דרך הטלגרם.

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  48. קזינו אונליין
    הימורים אונליין הם חווייה מרגש ופופולריות ביותר בעידן הדיגיטלי, שמגירה מיליונים אנשים מכל
    רחבי העולם. ההימורים המקוונים מתנהלים על פי אירועים ספורטיים, תוצאות פוליטיות ואפילו תוצאות מזג האוויר ונושאים נוספים. אתרי הימורים הווירטואליים מזמינים את המשתתפים להימר על תוצאות אפשריות וליהנות רגעים של חוויה והתרגשות.

    ההימורים המקוונים הם כבר חלק חשוב מהתרבות האנושית לא מעט זמן והיום הם כבר לא רק חלק נפרד מהפעילות התרבותית והכלכלית, אלא כמו כן מספקים הכנסות וחוויות מרתקות. משום שהם נגישים מאוד ונוחים לשימוש, הם מובילים את כולם ליהנות מהמשחק ולהנציח רגעי עסקה וניצחון בכל זמן ובכל מקום.

    טכנולוגיות מתקדמות והימורים הפכו להיות הפופולריים ביותר מעניינת ונפוצה. מיליוני אנשים מכל כל רחבי העולם משתתפים בהימורים, כוללים הימורי ספורט. הימורים מקוונים מציעים למשתתפים חוויה ייחודית ומרתקת, המאפשרת להם ליהנות מפעילות פופולרית זו בכל זמן ובכל מקום.

    אז מה נותר אתה מחכה? הצטרף עכשיו והתחיל ליהנות מהתרגשות וההנאה שהימורים מקוונים מציעים.

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